Local art critic Hélène Giroux wrote in Le Devoir (October 3, 2002): "There is nothing to see at Beaulieu’s show, and yet I have never felt so seen. The mirrors do not reflect your face; they reflect the back of your head. It is a violation of perceptual physics. This is not an exhibition. It is an exorcism."
: Their investigation leads them to a mysterious, exclusive address. However, instead of a corporate "dead drop" or a meeting with a rival spy, they discover that Carole has actually been attending a high-society voyeur's party . etranges exhibitions 2002 benjamin beaulieu
The accompanying zine—self-published in an edition of 50—is now a cult artifact. It documents each “exhibition” with deadpan photographs and deadpan-er captions, including my favorite: “This bench is no longer for sitting. It is for considering absence.” Local art critic Hélène Giroux wrote in Le
: The story shifts from a corporate thriller into an exploration of hidden desires as Rachel finds herself drawn into the strange, performative world her secretary inhabits. Production Details Director : Benjamin Beaulieu and Laurent Lévy. Release Date : September 8, 2002 (France). This is not an exhibition