She had been Ange Venus once, the “angel of the proscenium,” a dancer who fused ballet with the floating silks of Chinese aerial opera. Critics called her ethereal. Lovers called her impossible. But for one feverish year in the late 1980s, a forgotten auteur named Leon Sorel had filmed her in a abandoned warehouse-turned-studio. No story. No dialogue. Just Maya moving through light and shadow for exactly three minutes per reel. Nineteen reels. Fifty-seven minutes of pure, silent motion.
Empress Vampire (2012), a campy horror feature she produced and starred in. ange venus aka angel venus ange maya 19 clips best