Simple Minds began with a dark, experimental post-punk and art-rock sound.
By the time the bar reached 20%, he was in the mid-80s. The sound had expanded. It was no longer a rainy street; it was a stadium at dawn. “Don’t You (Forget About Me)” surged through his nerves. He could hear the specific reverb of the snare drum, a shimmering ghost of 1985 that Jama had somehow polished to a diamond shine.