| Aspect | Details | |--------|---------| | | Coppola announced the project in 2020, describing it as “a love‑letter to the city and a cautionary tale about power.” The script went through three major drafts before Logan was brought in for a final polish. | | Cinematography | Bruno Delbonnel (known for Amélie , Inside Llewyn Davis ) – the visual palette emphasizes a cold, metallic aesthetic interspersed with warm, human moments. | | Production Design | Patrice Vermette (e.g., The Cell ) – built extensive modular set pieces to portray the “future‑city” concept, combined with real NYC locations (Lower Manhattan, Brooklyn). | | Music | Original score by Hans Zimmer , with additional ambient tracks by Trent Reznor & Atticus Ross . | | Visual Effects | VFX work by Industrial Light & Magic (ILM) and Weta Digital for city‑wide transformation sequences. | | Camera & Format | Shot on ARRI Alexa LF in 6K raw; final theatrical release delivered in 2.39:1 DCI 4K DCP. | | Sound | 7.1 Dolby Atmos mix. | | Post‑Production | Coppola oversaw a four‑month editorial period, emphasizing a “long‑take” feel for key dialogue scenes. |
Megalopolis (2024): Francis Ford Coppola’s Polarizing Masterwork | Aspect | Details | |--------|---------| | |
Video ID : 1 Format : HEVC Format profile : Main 10@L5.1 Codec ID : V_MPEGH/ISO/HEVC Width : 1280 pixel Height : 720 pixel Display aspect ratio : 16:9 Frame rate : 23.976 FPS Bit depth : 10 bits Colour space : YUV Colour primaries : BT.2020 Transfer characteristics : PQ (ST 2084) Mastering display : 0.6800,0.3200 – 0.3127,0.3290 – 0.1500,0.0600 Bit rate : 8 Mbps Encoding settings : x265 –preset veryslow –crf 18 –tune grain | | Music | Original score by Hans
