Let’s address the moniker. In the digital pantheon, the term "Goddess" gets thrown around carelessly. But with Elena Koshka, the title feels less like hyperbole and more like a job description.

Fans of directorial style often argue this is a superior example of her work because it attempts to elevate the medium through "pantomime acting" and emotional cues, such as Koshka’s ability to cry on cue during intense moments. However, some reviewers on Letterboxd feel the lack of a traditional narrative makes it more of a visual experiment than a cohesive story.