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Not all power is loud. Frances McDormand (now 65+) has become the poet of the stoic, aging American woman. In Nomadland , she played a widow living out of a van, finding community in loss. In The Tragedy of Macbeth , she turned Lady Macbeth into a battle-hardened, ancient strategist rather than a feverish young temptress. McDormand’s power lies in her refusal to perform youth. She exists on screen as a fully realized, wrinkled, capable human being.

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