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(1985) are frequently cited as examples of how he blended traditional narrative structures with erotic themes, revitalizing that specific genre within the Italian film industry during the 1980s and 90s.

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Miloš clicked on a file titled The Voyeur’s Dream .

(Così fan tutte, 1992) : A modern exploration of infidelity. Frivolous Lola (Monella, 1998)