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It is still acceptable for a 60-year-old male actor (Liam Neeson, Denzel Washington) to romance a 35-year-old actress. The reverse—a 60-year-old woman romancing a 35-year-old man—is treated as a comedy (see: The Idea of You with Anne Hathaway, though she is 41, not 60). We need more narratives where older women are sexual beings without irony.

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In The Lost Daughter (Maggie Gyllenhaal, director; Olivia Colman, lead), we see a middle-aged academic who abandons her children on vacation. She is selfish, intellectually arrogant, and traumatized. She is not likable. She is fascinating . Similarly, in A Good Person , Morgan Freeman’s character is not a wise sage; he is a grieving, angry father struggling to forgive. It is still acceptable for a 60-year-old male

have redefined aging femininities for a "silver economy" audience. Oxford Institute of Population Ageing Influential Pioneers and Modern Icons Sophia Loren : Consider the consent, age verification, and legality

Kidman has become a powerhouse producer through her deals with Amazon and HBO. Recognizing that great roles for women her age were scarce, she decided to manufacture them. From the icy, ruthless Celeste in Big Little Lies to the chaotic anchor in The Morning Show , Kidman has defined the "messy middle-aged woman"—a character previously reserved for men like Al Pacino or Jack Nicholson.