Tushy Jia Lissa Entanglements Part 2 1911 |top| <90% WORKING>

As we left off in Part 1, the stage was set for a dramatic convergence of these three individuals. It's 1911, and the world is witnessing the rise of industrialization, artistic revolutions, and social upheaval. Our story picks up in the midst of this whirlwind.

– Lissa, an avant‑garde photographer, captures an image of a wind‑blown scarf that resembles a stylized buttock, which she titles Tail‑Wind . The photograph becomes a rallying visual, circulated in underground pamphlets, suggesting that the “tushy” can also be a source of propulsion rather than mere burden. tushy jia lissa entanglements part 2 1911

“Why was it given to the British?”

In Part 2, we trace the journey of the 1911 find from its unassuming arrival in Shanghai to its eventual, controversial placement in the London Museum of Antiquities. We will interview the key players, examine the primary documents, and explore the most daring hypotheses that have arisen in the last fifteen years. As we left off in Part 1, the

Through a triangulation of textual analysis, archival research, and digital humanities methods, this paper reconstructs the complex entanglements that the 1911 text embodies. – Lissa, an avant‑garde photographer, captures an image