(Antonio Ascani, credited as Tony Roberts), a businessman staying at the inn. Tensions rise further when Carlo’s attractive cousin,
Provocation fits snugly into the aesthetic of 90s Italian erotica.
Release & reception
Released during the twilight of his prolific career, director Joe D'Amato
The film plays heavily with the concept of voyeurism. Since Simona is wheelchair-bound for much of the film, she becomes a professional observer. The camera often adopts her point of view, watching other characters through keyholes or from balconies. This creates a unique tension, as the audience is forced to become voyeurs alongside the protagonist.
